REPRESENTATION OF JAVANESE PHILOSOPHY IN THE ART OF SANDUR AS A VIEW OF BOJONEGORO COMMUNITY LIFE

Elvin Nuril Firdaus, Sony Sukmawan

Abstract


Abstract:Sandur is a traditional theater art originating from agrarian areas, one of which is Bojonegoro. Sandur art tells the daily stories of agrarian society, such as farming. Sandur's art began as a children's game during the planting and harvesting seasons. Sandur is a form of tradition that contains the philosophies adopted by the community as a way of life. This study uses a folkloristic approach and cultural studies to reveal holistically and deeply about Sandur in Ledok Kulon Village, Bojonegoro District, Bojonegoro Regency. The data from this research are in the form of folklore expressions that appear in expressions, speeches, movements, or symbolic behavior in Sandur art. Sandur art has several stages, starting with the Setren ritual, Buka Bumi, the Jaranan dance (before the performance), and then the core of the show begins with the song Panjak Hore, then the four puppet characters enter the blabar. In the performance, Sandur implied Javanese philosophies, such as religious values, worldly values, spiritual values, and human values. These values reflect the behavior of the people of Bojonegoro. In addition, this philosophy can be a provision for learning about the views of the people of Bojonegoro in their daily lives.

Keywords: Sandur Arts, Javanese philosophy, Views of life, Bojonegoro

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References


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