Aura of Mask Art: Panji’s Story in the Green Open Space of Surakarta

Stella Rossa Zarifa Sholihah, Rahmanu Widayat, Andi Setiawan

Abstract


Panji story masks in urban public areas convey a distinct vibe compared to masks used in dance perfomances. This study demonstrates how masks, as a customary artistic legacy, evolve in purpose over time. In Surakarta, alterations in the material landscape and the power of the government follow shifts in the role of masks. This change questions whether mask art can enter contemporary art because it loses its aura when it has a different function. This research uses an exploratory qualitative method with research techniques through work analysis data, interviews, and literature reviews. The results of the research state that the development of mask art into an art product indicates that mask art in public spaces has become contemporary art. As a result, the modern era’s culture heritage will continue to exist, and technology will be given priority, leading to a loss of traditional art’s aura as a form of innovation in modern art.

Keywords: Panji Story Masks, Aura, Contemporary Art, Public Art.

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